"harS" by Aydın Teker was last night's wonderful discovery. It's a minimalist dance piece involving a harp, a dancer, and the silent void that surrounds them. Every sound, every move, every new discovery matters. Hints of imagery(some violent, some elegant) are scattered troughout but it's hard to find a center--assuming that it exists at all. The lack of narrative drive is also telling. Teker uses the intriguing imagery of a dancer and a harp as a starting point: The slowness of the piece leaves her audiance time to reflect, discover, ask questions of all kinds, and above all to meditate. Just like the dancer on the stage.
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